Anton Maliauski Anton Maliauski

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It’s become a tradition: spring for me comes with a French soundtrack.
Today it’s Juliette Armanet and her À la folie.

Juliette Armanet - Petite Amie (2017) Album Cover
Juliette Armanet - Petite Amie (2017) Album Cover

A beautiful song — a great melody, beautifully sung, incredibly well put together!

Notice how Juliette emphasizes the endings of words. She marks them like punctuation at the end of sentences. It adds clarity, transparency, and creates the right rhythm for this song: a heartbeat, a dance, passion.

What’s interesting is this: the song is about losing control, yet the delivery is meticulous. It sounds like an attempt to hold oneself together through the music, to stay afloat. Like a spell. Like a ritual chant:

Fête… défaite… tête-à-tête…
Danse… cadence… chance…

Without those crisp endings, everything would fall apart — the words would blur together, losing their shape like hazy memories.

And the words themselves form striking contrasts:

  • fête / défaite — celebration and defeat
  • tête-à-tête — intimacy, closeness, but also enclosure
  • danse / cadence / chance — everything spins and moves, like life or fate

French speech usually flows — soft transitions, fluid connections, as if everything melts into everything else. But here, it’s different: the endings cut through. The rhythm becomes broken, almost sharp — like breath caught at an emotional peak.

The stress on endings feels like a fixation of tension, like a point of no return.

A great example of how form serves content. In a song about mad love, where everything might fall apart at any moment, these precise endings bring ritual order.

Highly recommended listening!

January 12, 2025

Sarabande — a dance of the soul, a conversation with silence. The music tells a story that cannot be expressed in words. In this short film, I sought to convey the beauty of the moment and the tension of the unknown.

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I love listening to music and I am convinced that a good cover hides good content. Not always, but usually so, because the external reflects the internal. If the cover was made with taste and soul, it hides the “tasty” and lively content of the album. In the ocean of information, one cover seems to shout at you “Hello! I’m here! Let’s get acquainted!”, the other quietly and modestly stands aside, waiting for attention.

With this note I open the sections “Cover of the week ” and “Track of the week ”. I will introduce readers to what I like. Not regularly, but now there is a place where I can share something interesting, and you know where to get acquainted with it.

I’ll start with Evvo - Physical L​.​U​.​Vl1 2 from the EP of the same name (2016)

I first found this album in 2016. Since then, it has accompanied me in various Spotify playlists and on my first (and last) hi-fi player. Then I left Spotify for another music service. There I collected a discography from scratch, but forgot about this EP. I remembered only in 2024.

I listened to it again. What can I say now? Good! The main track for me, as before, is Physical L​.​U​.​V. Of course, it does not evoke the same emotions, but it leaves a good impression.

But I still think the cover is awesome in 2016 and in 2024 - the colors, the style, the image of intercourse and love. Excellent!

The cover of evvol’s “Physical L​.​U​.​V” EP is an abstract 3D image of a man and woman kissing. The woman sits on the man’s lap, her thighs connected to the man’s.
Cover Evvol «Physical L​.​U​.​V» EP

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