Anton Maliauski Anton Maliauski

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My hometown.

Latitude: 53°53′59″ N Longitude: 27°34′00″E Altitude above sea level: 222 m.


I saw this pictogram in an underground passage and felt all of its pain.

A sign showing a person in a wheelchair, with arrows pointing toward a staircase and an exit.
An accessibility pictogram in an underground passage in Minsk.

Honestly, I don’t know how to draw it better. I haven’t looked into the details or researched how signs like this are designed around the world. But what I see here scares me more than it reassures me.

There is a staircase here. These jagged steps are very prominent, very active. There is a wheelchair user on some kind of surface. But it is unclear how this surface is supposed to move along the steps, and why this movement should create any sense of safety.

I’m not saying the pictogram needs to show the entire mechanism. But it should contain at least the idea of smooth movement. Here, it doesn’t. The eye does not move upward with the platform. It trips over the steps.

The arrows look strange, too. They seem to live in a world of their own. It is unclear what exactly they are explaining. If the sign is located below, inside the passage, then the downward arrow no longer makes sense. The task is not to go even lower, but to get back up. Yes, I understand that there is standardization and that there are standard templates. But the standard should follow the meaning, not the other way around.

Formally, this pictogram has everything. Stairs. A wheelchair. Some kind of platform. Arrows. The logic seems to be assembled. But the meaning gets lost.

A pictogram of this kind should be a saving symbol. A sign that a person’s problem has been solved here. But this pictogram does not solve the problem. It creates a new puzzle. Where should this person go? What will move? How does it work? Is this person supposed to overcome this staircase?

I look at it and see not accessibility, but a barrier. Not “you will be lifted,” but “here are the stairs, good luck.”

This is a small scene of tension, not a sign of help.

June 2026
Minsk, Belarus

Before it got dark, I decided to take a walk through the microworld.

This is my first experience like this, and I already really like it. I got stuck near some tiny white and yellow flowers, literally on ten centimeters of ground. But in macro, it is no longer ten centimeters. It is a whole little city square: the flowers stand in different ways, some in pairs, somewhere there is a blade of grass, somewhere gaps between them, somewhere light.

It felt like I had looked into a small world that had been right here all along.

Yellow flower with delicate petals against a dark background.
Yellow flowers with rounded petals against a blurred green background.
Macro shot of white clover with delicate petals and green tones.
White clover with green leaves, close-up. The flowers have tiny petals and a dense center.
White clover with pink tones in the center, close-up.
From series Brownian wandering
  1. Brownian Wandering. Episode 2

A small documentary sketch from a photowalk in the Zavodskoy district of Minsk. People with cameras, a random route, evening light, conversations on the move, and a city that seems to lead us a little by itself.

Featuring: Andrey, Ira, Roman.
Me behind the camera.

FILM BY ANTON MALIAUSKI
CAMERA / CANON EOS M
CROP MOOD / OPENGATE 4:3 / 14BIT
LENS / MIR-1V
HANDHELD SHOOTING
LOCATION / MINSK / ZAVODSKOY
MUSIC / PORADOVSKYI / FUNKY
ANTOMAL.COM / 2026

Two people on the street: a man with a backpack and a woman wearing a cap and sunglasses.
00:00:00:05
Brownian Wandering, episode 2. Text about freedom and the participants in the process. A person against a wall.
00:00:07:11
A person with long hair photographs on the street, standing against an abandoned structure and greenery.
00:00:29:02
A woman with a camera, with a bearded man in the background, both outside among greenery.
00:00:48:02
A person with a backpack photographs against a background of a truck and buildings under a clear sky.
00:00:58:21
Two metal doors on a brick wall, numbered 58 and 59. Sunlight illuminates the facade.
00:01:02:05
A person photographs the sky on a smartphone, with silhouettes of branches and evening tones visible.
00:01:38:01
Two people walk along a wooden wall, one in a brown coat with a backpack, the other in light-colored clothing.
00:01:42:22
A man with long hair and blue glasses, wearing a brown jacket, looks down against an urban landscape.
00:01:53:02
Two people walk along a road, one holding a camera in their hand.
00:02:03:21
Three people walk along an empty street against an evening sky and green trees.
00:02:07:03
A group of people walk along the street, one of them wearing a UFC cap, with trees in the background.
00:02:10:11
A foot in a blue sneaker on asphalt. Text: “FILM BY ANTON MALIAUSKI”, with camera and music information.
00:02:26:12
June 8, 2026

I am sitting under a tree.

It has sheltered me beneath its huge canopy. I cannot see the structure of the leaves, cannot see whether there are flowers there or not. It is just a large dark roof above me.

In front of me is the Svislach. The embankment, concrete, rare passersby. Night, silence, darkness. I am a little bored.

During the day, it feels as if we have many options. Any photographer will understand me. And not even necessarily a professional photographer, but a person who goes out with a camera, or a person who goes out without a camera but simply knows how to look. During the day, you dive into this abundance. You see so much. The world itself offers you frames, shapes, light, faces, trees, reflections.

But sometimes you do not want to choose from what is already given. Sometimes you want to look into the unknown. To trust what is here now. To see what is around me within arm’s reach. To touch it, in another language.

I take out the camera. Maybe out of boredom. Maybe with a childlike curiosity. I point it upward, turn on the flash, and take one shot.

Not ten. Not a series. I do not check the screen.

Just one shot.

I see the flash light up the tree for a second. And the world immediately returns back into darkness. I put the camera away and continue walking through the night city.

But later, already at home, when I open this photograph on the computer and develop it, I suddenly see what I did not see there, on the bench. Leaves. Flowers. Structure. The beauty that, at that moment, was right beside me, above me, around me.

Flowering tree branches against the night sky.
I saw all this beauty only after the photograph was developed.

I made a simple accidental “shot” with the camera, but it illuminated what was already there in reality.

In the note “A View from the Dark”, there was the thought that sometimes you need to remove the excess light in order to see differently. To look from the dark. To listen from silence. To step out of the noise of the day, out of the obvious, out of ready-made illumination.

Here the thought is similar, but it is about something slightly different.

Here I am not simply looking from the dark. I am trusting the space. Trusting the moment. Taking a step without knowing what exactly I will see.

Perhaps this is how it happens in life too.

We make some simple step. Sometimes almost accidental. We direct our attention toward a place where there seems to be nothing special. We illuminate a piece of reality for a second. And in that very moment, it may tell us nothing. We see only the flash, a brief illumination, an instant. And then everything returns to darkness again.

But something has already happened.

We have already exposed reality.

And now we only need to stop and see what has emerged.

See also  Link to this section

June 2026
Minsk, Belarus
Two buildings against a blue sky with clouds.
A blurred red station wagon moves down the street, with other cars and green trees around it.
A bottle labeled “Coca-Cola” lying on the ground among grass near the sidewalk.
A bottle of “Arbishinka” syrup lying on the ground among grass.
A narrow passage between buildings with a view of a modern facade with black-and-white geometric patterns.
Sunset with clouds, light breaking through them, with cars and trees in the foreground.
The sky with clouds and a streetlamp in the foreground.
Green shrubs against the background of an asphalt path.
Sunset over a lake, with clouds and trees reflected in the water, creating a calm atmosphere.
May 2026
Minsk, Belarus

At a recent photo walk, I was mostly shooting video, but in this spot I wanted to stop time for a moment. Took a couple of shots.

A bright woodland space with tall trees and green grass, lit by sunbeams.
Sunlight breaks through the trees, illuminating the green grass and creating a calm atmosphere in the woods.

After the photo walk, I took a stroll through the city center and made a few more shots.

A building silhouette against the evening sky, lit by streetlights and framed by overhead wires.
Two people sitting on a bus, one embracing the other, their heads close together.
A person in dark clothing walks down a subway staircase lit by soft light.
May 2026
Minsk, Belarus
Shadow of a person on asphalt, with a red wall in the background. Night, dim lighting.
Night cityscape under an umbrella, with a view of a building with windows and stairs.
Silhouette of a person with an umbrella against a wall.
Night cityscape with high-rise buildings and an umbrella in the foreground. Dark sky, visible lights.
Light reflections on steps, creating red and yellow stripes against a dark background.
May 2026
Minsk, Belarus
A person on an electric scooter rushes along the road, with the blurred background creating a sense of speed.
The roof of a house with a window against a cloudy sky and antennas.
An old wooden platform surrounded by green plants and leaves. Marks and litter are visible on the surface.
A calm river reflecting a cloudy sky, surrounded by green banks and trees.
A snail on the ground among leaves, with a distinctive brown shell.
Reflections of trees on still water, with branches crossing and creating interesting patterns.
May 2026
Minsk, Belarus
A blurred image of a road with a passing car against sunlight.
The silhouette of a person on a bus against a green field and forest.
Green leaves against a blurred landscape with water and sky.
A high-voltage power tower against a blue sky with clouds.
Green blades of grass against a bright sky, with soft light creating a calm atmosphere.
Clouds against a blue sky and an apartment building with red and white balconies.
A calm river with reflections of trees and power lines in the background, with greenery in the foreground.

A short evening walk by the Chizhovka Reservoir in Minsk.

FILM BY ANTON MALIAUSKI
CAMERA / CANON EOS M
CROP MOOD / OPENGATE 4:3 / 14BIT
LENS / MIR-1V
HANDHELD SHOOTING
LOCATION / MINSK / CHIZHOVKA
MUSIC / PIXABAY
ANTOMAL.COM / 2026

An electrical tower against a blue sky and a green tree.
00:00:14:06
A green field with tall grass and trees in the background, with sunlight creating soft shadows.
00:00:23:08
A calm body of water with green banks and tall grass in the foreground, with trees visible in the background.
00:00:30:17
Plants against a blue sky and a body of water, with light clouds.
00:00:37:05
A calm river with vegetation along the bank and city buildings on the horizon under a blue sky.
00:00:37:05
A river with green banks and tall grass in the foreground, with buildings and utility poles visible in the distance.
00:00:57:15
A sunset behind tall grasses and bushes, with an electrical tower visible in the background.
00:01:03:15
Green leaves in the foreground, with a calm river and a cloudy sky in the background.
00:01:16:06
A calm river reflecting the sky, with trees and buildings in the distance and power lines on the horizon.
00:01:25:03
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