Anton Maliauski Anton Maliauski

May 2026
Minsk, Belarus
Apartment block against the evening sky, with visible windows and rooftop antennas.
A person in a reflection against a sunset and a pedestrian road sign.
Silhouettes of buildings against a sunset, reflected in calm water. The sky is tinted pink and purple.
A duck swims in calm water, creating ripples on the surface.
A padlock on a metal fence against a blurred landscape with water and the horizon.
A person with outstretched arms sits on the shore of a body of water, with light reflected on the surface.
A calm river beneath an evening sky with light clouds and reflected light on the water.
A truck with flashing lights on a night street, with a worker in orange overalls standing beside it. Vehicle number: AX 1683-7.
May 2026
Minsk, Belarus
Reflection of light on a windowpane overlooking an apartment block at dusk.
Traffic light showing red and green signals, evening city, cars at an intersection, reflections in glass.
View from a bus of an evening city, with the silhouette of a long-haired person in the foreground.
A corgi dog on a sidewalk in evening light.

I’m realizing more and more how alien LinkedIn feels to me.

Not just uninteresting. Not just inconvenient. Alien in its very structure. It is a space of corporate busyness, robotic politeness, and constant self-packaging. There, a person seems to turn themselves in advance into a job description, a career signal, a neat professional silhouette.

And at some point I realized: I don’t want to be there even formally.

A good professional is not made of competencies alone. They are made of taste, character, attentiveness, experience, strangeness, pain, curiosity, mistakes, pauses, inner fire.

And LinkedIn seems to say:

“No, no. Leave only the title, the case study, the achievement, the team thank-you, and five bullet points about leadership.”

Not a person. A profile.

P.S. Symbolic how it turned out: May 1.

April 23, 2026
[С01 → D01]

I wanted to make the packaging of an ordinary matchbox more noticeable and interesting. The visual idea is based on a match tied into a knot. I was interested in the paradox: a simple and familiar object begins to be perceived differently when its form becomes impossible.

A matchbox with a knot illustration on the cover. The matches have red heads.
A matchstick tied in a knot, with a red head on one end.
April 14, 2026
[С01 → D01]

Logo for an Obsidian plugin that processes and uploads images to my website. “Iskra” refers to the moment of a brief spark: a rapid transition from a local file to a processed and published result.

Iskra logo
November 2025
Minsk, Belarus
Night cityscape with bus 104 at a stop, lit by streetlights in the fog.
A nighttime intersection with low visibility, traffic lights and reflections on the wet road.
Nighttime cityscape with a wet street lit by streetlights, and buildings on both sides.
Night cityscape with a lit street, trees and buildings along the sidewalk.
November 2025
Minsk, Belarus
A person standing under a light in a dark urban space, reflections on the wet asphalt.
An empty room with gray walls and orange-and-white tape marking a restricted area.
Night city with wet pavement lit by streetlights. Buildings and blurred car lights are visible.
Night city with streetlights and fog, people walking along the sidewalk, reflections on the wet pavement.
A foggy night on a street lit by lamps. An empty road and sidewalk, with car lights in the distance.
Night cityscape with a street lit by lamps and the moon in the sky. Snow is falling, creating a winter atmosphere.
December 2025
Minsk, Belarus
A night scene by the river, reflections of lights on the water, fog and dark silhouettes of trees.
March, 2026
Minsk, Belarus
Favourite
Black column against a light ceiling with horizontal beams.
March 25, 2026

A typical battery collection container almost always looks like a technical necessity. It communicates its function, but it doesn’t attract attention. It can be placed in a store, accompanied by instructions and an environmental message, but the interaction itself still feels dull and impersonal. I wanted to turn an unnoticed, obligatory object into something people would want to approach.

A person feeding batteries to a robot in the electronics section. Next to the robot is a stand with the text: “Feed Me Batteries.”
A person feeding batteries to a robot
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